Print Types



There is no way to present fine art prints that are as clean and pure. The design, consisting of four layers, displays the fine art print directly and without glass. In addition to durability, the permanent lamination on Alu-Dibond ensures perfect flatness. Please be aware that the paper surface is unsealed. This allows the fine art print to unfold its full effect. Please treat the surface with the utmost care accordingly.

1 – Fine Art Print on Hahnemühle Fine Art Baryta Paper
2 – Aluminium Layer
3 – Black Polyethylene Core
4 – Aluminium Layer including the hanging system

Hahnemühle FineArt Baryta is a warm and bright white cotton paper with a glossy surface for impressive colour reproduction and strong contrasts. It is ideal for both colour and black-and-white images.

Optional: Basel Frame – 30mm Solid Wood Floating Frame – Black Oak

Hahnemuhle paper

Pigment Print

Giclée Pigment Print on heavy Hahnemühle Fine Art Baryta paper, a heavy, white, 100% cotton paper with a smooth surface texture that guarantees archival standards. The paper prints have a white edge to facilitate framing  Unframed and rolled in a tube.
Erik Brede Photography - Acrylic Print

Acrylic Glass

True UltraHD Chromogenic Photographic print on Fuji Crystal Professional Archive Maxima Paper under Crystal Clear high-end acrylic glass – Lots of presence, unbelievable depth and intensified vibrant colours. Aluminium Dibond Backing, Ready to hang.

Alu-DiBond Fine Art

Exclusive 1/1 Alu-Dibond fine art: perfect flatness and durability without glass – Fine Art Print on Hahnemühle Fine Art Baryta Paper permanently laminated on Alu-Dibond Backing, Ready to hang

Monumental Sizes
Seamless Fine Art Pigment Print Under Acrylic Glass in Monumental Sizes

The seamless Fine Art pigment print for sizes of up to 500 x 240 cm was developed by WhiteWall engineers and is the only one of its kind in the world. They combine the revolutionary printing technique with a paper specially manufactured for WhiteWall. Finally, the Masterprint is mounted under a single piece of acrylic glass using silicone for a perfect, enormous work of art.

My artwork can be ordered as a custom-made 225x180cm large print. This is a high-class, expensive product, so only serious inquiries. Non-refundable deposits of €5000 have to be paid before the production start.


Phone: + 47 970 70 992
Aamotshagan 40, N-2022 Gjerdrum


I work hard to create artwork of the highest quality and take great care to assure quality at each step. In the unlikely event that the print should arrive damaged, or simply just don’t meet your expectation, I will do my absolute best to remedy the situation so that you can feel confident with your purchase.

About WhiteWall

All my prints are produced by WhiteWall Inc, Germany. WhiteWall sets the bar extremely high, which has been confirmed by numerous independent reviews in reputable magazines. WhiteWall is the exclusive supplier of LUMAS – the largest gallery for editions of contemporary photo art in Germany and Europa.


Giclée is the process of making fine art prints from a digital source using ink-jet printing technology.

I use only the highest quality acid-free Giclée papers and genuine Epson pigment inks. The Wilhelm Institute and Aardenburg Imaging ranked Epson Pigment Inks in the top three of all archival inks currently in production. The Giclée Print is made on the state of the art Epson Inkjet 11880 using 9 colour K3 pigment inks.

I use Hahnemühle FineArt Baryta and Canson Baryta Prestige II  paper for all my Giclée Print. This is 100% cotton paper with a smooth surface texture that guarantees archival standards. The paper meets the highest industry standards regarding density, colour gamut, colour graduation and image sharpness while preserving the special touch and feel of genuine art paper.

My Giclée Paper Prints is unframed and rolled in a tube.

Erik Brede Photography

True UltraHD Chromogenic (C-Type) Photographic print on Fuji Crystal Professional Archive Maxima Paper under Crystal Clear high-end acrylic glass – Lots of presence, unbelievable depth and intensified vibrant colours. Exceptional quality for exceptional pictures. This is a special High Price GALLERY PRINT Complete with mounting system on aluminium dibond backing. 

A Chromogenic (C-Type) print is any photographic print that has been exposed using lasers or LEDs rather than a traditional bulb (in a darkroom). The paper is processed in a photographic developer, followed by bleach-fix before being washed to remove the processing chemicals much the same as in a traditional analogue darkroom.

The UltraHD high gloss surface and metallic look of the Fuji Crystal Professional Archive Maxima Paper produce photos with extraordinary optical depth and expressiveness. The acrylic glass makes the image appear vivid and vibrant in colour with an extra sense of depth. The acrylic glass that is used when creating these prints is shatterproof and extremely lightweight making it easy to hang almost anywhere.

The aluminium Dibond Backing consists of a black polyethylene core sandwiched between 2 aluminium sheets, and the integrated wall-mounts on the back of the picture make it easy to hang it securely.

  • Over 10% more maximum density for deeper black with finer details
  • 21% more colour space volume for more vivid and saturated colours
  • Markedly improved light resistance for longer-lasting luminosity

Exclusive direct UV-Print on Brushed Aluminium – Pure elegance with an exclusive BUTLERFINISH® look – – High Quality, Extra-Long Durability, Ready to hang.

The photo is printed directly onto a 3 mm thick, sturdy brushed aluminium Dibond with a BUTLERFINISH® look. Two thin aluminium sheets sandwich a black polyethylene core to ensure maximum stability and water resistance. The upper aluminium layer, on which your photo will be printed directly, has the characteristic BUTLERFINISH® appearance. Thanks to the brushed surface, the aluminium backing gives the artwork an extraordinary, metallic appearance. During the production of the cover sheet, the surface is ground horizontally to produce a brushed effect. The result is eye-catching: The areas of the photograph that are white or very light are not printed, but instead, take on the appearance of the brushed aluminium surface. This product stands out for aesthetic reasons, but the material is also extremely robust and durable. Whether inside or in covered outdoor areas, the artwork has the best protection against elements such as direct sunlight, extreme temperatures, and damp.

Ideal for indoor and outdoor use, thanks to UV printing

The direct UV-print is colour-fast, light-resistant, and even damp-proof. The artwork on brushed aluminium Dibond is therefore not only suitable for indoor areas such as the bathroom or the kitchen, but also for covered outdoor areas protected from rain and direct sunlight.

The aluminium Dibond backing is extremely light, and the practical hanging system ensures it is easy to hang on the wall, even with large formats. Simply unpack the artwork, hang it up, and enjoy its floating, metallic effect on your wall.

Latest Artwork

The Disappearance of the Elephant - Erik Brede Photography

“The Disappearance of the Elephant”

This piece is absolutely gorgeous! It’s a great conversation piece because it really has a deep, sensitive message. We are big elephant lovers and huge animal advocates and it goes great with our decor and our “theme” in our home. This piece is definitely worth the money. It makes quite a statement. Save the elephants!!!

Brittany, USA

Shopping Basket